The Comet Is Coming at WWW, December 1st 2022
I’m not exactly an expert on rave culture, but whenever I hear about it I associate it with England. I might be wrong, but I think rave culture was deeply rooted in the UK, especially in the nineties. It makes sense that a reinterpretation of the jazz trio will be inspired by that climatic period of time that anticipates the beat drop in Electronic Dance Music. The Comet Is Coming not only take musical cues from EDM. Their live shows, as I witnessed in their first headlining performance in Japan, are built around this cathartic aspect found in the climax build up and the eventual drop release. It’s definitely exhilarating and infectious. It’s rare to see a Japanese audience actively participating and expressing joy in the way I saw at WWW that night. The show started with a tasty intro that was more in the Pharoah Sanders vein, with Shabaka Hutchings delivering in the tenor sax a taste of the righteous licks we'll be witnessing throughout the night, with Danalogue on keys ...